{"id":10742,"date":"2023-02-02T00:39:47","date_gmt":"2023-02-01T21:39:47","guid":{"rendered":"https:\/\/theremin.today\/?p=10742"},"modified":"2023-02-02T00:54:33","modified_gmt":"2023-02-01T21:54:33","slug":"new-concerto-for-theremin-and-orchestra","status":"publish","type":"post","link":"https:\/\/theremin.today\/?p=10742&lang=en","title":{"rendered":"New concerto for theremin and orchestra!"},"content":{"rendered":"<figure style=\"width: 234px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/pbs.twimg.com\/media\/Er4an5QXAAY5Nkz?format=jpg&amp;name=4096x4096\" alt=\"Lev Theremin and theremin\" width=\"234\" height=\"335\" \/><figcaption class=\"wp-caption-text\">Lev Theremin and thereminvox<\/figcaption><\/figure>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">The first concerto for solo theremin and symphony orchestra was created for <strong>Lev Theremin<\/strong> by composer<strong> Joseph Schillinger,<\/strong> in 1929. Since then, several concertos for theremin and orchestra have appeared. In 2017, the St. Petersburg composer <strong>Anton Tanonov<\/strong> wrote a Concerto for Theremin and orchestra, dedicating it to Lev Theremin, this is the first case of such dedication in Russia, and possibly in the world, Anton said that parts of the concerto are connected in a certain way with several parts of Lev Theremin&#8217;s life (the concert was first performed in the atrium of the Hermitage, the part of the theremin is Peter Theremin)<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">The Canadian composer <strong>Simon Bertrand <\/strong>decided to do the same , the premiere of his concerto for theremin and orchestra will take place in early February in Montreal . According to Simon, this concert can be considered a kind of attempt at a &#171;musical biography&#187; and, in fact, it is entitled &#8212; <strong>&#171;Four Episodes from the Life of Lev Theremin\u201d,<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">The concerto will premiere\u00a0 <\/span><a class=\"cQUXTu\" style=\"font-family: 'Times New Roman', Times; font-size: 14pt;\" tabindex=\"0\" role=\"button\" aria-expanded=\"true\"><span class=\"AinsX6 xgQ8vn AqK082 DktTqT\" role=\"button\" aria-expanded=\"true\"><span class=\"J8GA_Q\" data-hook=\"ev-list-item-title\">with Orchestre M\u00e9tropolitain de Montr\u00e9al <\/span><\/span><\/a><span style=\"font-family: 'Times New Roman', Times; font-size: 14pt;\">on February 9 ( \u00c9glise Saint-Joachim) , and performances are also scheduled for February 10 ( Maison Symphonique de Montr\u00e9al)\u00a0 and 11 ( Th\u00e9\u00e2tre Mirella et Lino Saput).<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">Especially for the Theremin Today portal, we interviewed the Canadian composer <strong>Simon Bertrand<\/strong> and the theremin performer &#8212; the wonderful Dutch musician<a href=\"https:\/\/www.thorwaldjorgensen.com\/\"><strong> Thorwald Jorgensen<\/strong><\/a><\/span><\/p>\n<div id=\"comp-jzk69dnv\" class=\"BaOVQ8 tz5f0K comp-jzk69dnv wixui-text\" data-testid=\"richTextElement\">\n<h2 class=\"font_2\"><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><em>About Simon Bertrand<\/em><\/span><\/h2>\n<\/div>\n<div id=\"comp-jzk69dow\" class=\"BaOVQ8 tz5f0K comp-jzk69dow wixui-text\" data-testid=\"richTextElement\">\n<p class=\"font_8\"><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><em>Winner of the Opus award 2013 for Composer of the Year, first-prize winner of the Prix coll\u00e9gien de Musique Contemporaine 2014, and Winner of the First International Busan Maru Composition Competition in South Korea 2014, Simon Bertrand has an international reputation that has led him to compose for musicians around the globe such as the Musica Nipponia Ensemble (Japan), the Danish Saxophone Quartet (Denmark), the Orchestre Symphonique de Montr\u00e9al (Canada), the Shanghai Philharmonic Orchestra (China), the Gwandju Symphony Orchestra (Korea), the SMCQ, and the Orchestre National d&#8217;\u00eele-de-France (France). Highlights for his upcoming seasons include a premiere with the Orchestre Symphonique de Montreal, Les Violons du Roy, and the Nouvel Ensemble Moderne.<\/em><\/span><\/p>\n<p class=\"font_8\"><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><em>Recent and current projects include the world premiere of\u00a0Weltengeist [Esprit du monde]\u00a0by the Orchestre symphonique de Montr\u00e9al (OSM) and the Canadian conductor Jordan de Souzaon on May 18-19, 2022, the commission of a new work on H\u00e9l\u00e8ne Dorion&#8217;s Poems\u00a0by Les Violons du Roy, and his collaboration with American poet Paul Auster on a cycle of works inspired by his poetry to be premiered by Montreal&#8217;s Nouvel Ensemble Moderne (NEM) for their 2022-23 season.<\/em><\/span><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>Simon Bertrand &#8212;\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>How it happened. that you were inspired by the figure of Lev Theremin so much that you decided to write a whole concert dedicated to the inventor?<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/scontent.fcdg2-1.fna.fbcdn.net\/v\/t39.30808-6\/302171800_517054907088492_6964262574191972265_n.jpg?_nc_cat=103&amp;ccb=1-7&amp;_nc_sid=09cbfe&amp;_nc_ohc=SNpAUs-zyJwAX92p_tY&amp;_nc_ht=scontent.fcdg2-1.fna&amp;oh=00_AfCo500vspDzLbri7tTU9iDhTTum6utjOvzRJ4dl8cXC5w&amp;oe=63DF7129\" alt=\"\u0412\u043e\u0437\u043c\u043e\u0436\u043d\u043e, \u044d\u0442\u043e \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435 1 \u0447\u0435\u043b\u043e\u0432\u0435\u043a \u0438 \u0431\u043e\u0440\u043e\u0434\u0430\" width=\"255\" height=\"357\" \/>-I felt the amazing life of Leon Theremin was a wonderful testimony of the 20th century, of all its great innovations but also its darker sides.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">-I also felt he was a true citizen of the world and passionate about science and music, I wanted to pay him a tribute with this concerto hoping it will be understood as a call for peace and love between the peoples of the world, in this dark time when there still seems to be so many gray areas in the human soul that still bring wars in our world at a moment that all the people of the world are closer than ever and within reach and should be able to embrace each other\u2019s differences.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>\u00a0How was the work on the concert going? Did you immediately see it as a whole , or was it a result and a long process ? Please tell us more about this.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">&#8212; I have tried by various means to illustrate musically, in a rather narrative way five moments of the extraordinary life of Leon.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">1- the birth of an instrument<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">2- the journey to America<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">3-romance (in memory of Lise Beauchamp)<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">4-The Gulag, the false death and &#171;the thing \u00bb<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">5- Self-portrait on a public bench ( A life well-lived ..)<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">-It was a long process, I had already written for theremine and string quartet a piece called the \u00ab invisible voice \u00bb and Thorwald Jorgensen was very happy with it so we decided to celebrate the 100 anniversary with a concerto that was commissioned by the m\u00e9tropolitain orchestra . Thorwald was collaborating with me closely when I was composing the concerto.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>\u00a0What do you think about the theremin? For what qualities and capabilities do you value the theremin?<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">-As for the theremine , it is not a \u00ab virtuoso \u00bb<\/span><br \/>\n<span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">Instrument like the violin or the piano and very hard to control: But I wanted to demonstrate the amazing range and melodical potential of the theremin and the capacity for it to sound like sometimes a voice, or a cello or violin. Of course I tried to avoid the clich\u00e9s of the theremine as we heard it too many times since the 50ths in Science Fiction B-Movies with the big vibrato in the high register. I prefer a pure, expressive sound and the lower range is very expressive as well.<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>\u00a0Please tell our readers more about the concept of the concert and the meanings that are embedded in it.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">-I used a heterogeneous musical material, which is inspired as much by the great canons of 20th century music that Theremin has lived in and composers that I particularly like such as Bartok, Alban Berg, Charles Ives and Claude Vivier this concerto also contains &#171;period&#187; and quotes as would a historical film. For example I used the melody from saint saens \u00ab the swan \u00bb which is said to have been the first melody Leon tried to play when he invented the theremine and that of course Clara Rockmore played in the US.<\/span><\/p>\n<blockquote><p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">So In a way, it is musical biography. And I wish it transmits universal values of peace<\/span><\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>Thorwald Jorgensen\u00a0 &#8212; thereminist<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong> How did you work with Simon Bertrand come about? I know that you have collaborated with him before.<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">This really mostly Simons work! A few years ago he promised to write me a concerto so his agency went out to get a commission which was granted by Orchestre M\u00e9tropolitain in Montreal!<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong> <img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/scontent.fcdg2-1.fna.fbcdn.net\/v\/t39.30808-6\/327760866_1497409520750780_4351061453998323386_n.jpg?stp=cp6_dst-jpg&amp;_nc_cat=109&amp;ccb=1-7&amp;_nc_sid=8bfeb9&amp;_nc_ohc=cKstl_KLpvwAX__K8HT&amp;tn=ywCbk6rV1c9hqt6w&amp;_nc_ht=scontent.fcdg2-1.fna&amp;oh=00_AfDB_xHOX6NV-vjPiCnm4cSiaaoe3TowonTvI9vgNW0_vw&amp;oe=63DFF83F\" alt=\"\u0412\u043e\u0437\u043c\u043e\u0436\u043d\u043e, \u044d\u0442\u043e \u0438\u0437\u043e\u0431\u0440\u0430\u0436\u0435\u043d\u0438\u0435 2 \u0447\u0435\u043b\u043e\u0432\u0435\u043a\u0430\" width=\"426\" height=\"424\" \/>W<\/strong><strong>hat do you think about this music, why it is special? Was it difficult to prepare for this premiere?\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">I like the music very much! As you know it is an autobiographical concerto on the life of Leon Theremin so the music is based and inspired on certain parts of his life! I think it turned out wonderfully, though as I write this I haven performed or heard it! But reading the music from the score I can imagine it to be very grand and a very good tribute to theremin (to the instrument and to the person!).<\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\"><strong>It&#8217;s not your first time in Canada, how does the Canadian public accept the theremin, is it different from other countries?<\/strong><\/span><\/p>\n<p><span style=\"font-size: 14pt; font-family: 'Times New Roman', Times;\">since my first time in Canada over ten years ago I have been there many times and played lots of concerts! It is my impression that the Canadian audience really likes the theremin (or at least what I do with it). I personally think Canada is one of the greatest countries, in any case it houses the friendliest people in the world! I have made very good friends there over the years and arriving in Canada to me feels a little bit like coming home (or at least the home of a very good friend ?)!<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The first concerto for solo theremin and symphony orchestra was created for Lev Theremin by composer Joseph Schillinger, in 1929. Since then, several concertos for theremin and orchestra have appeared. In 2017, the St. Petersburg composer Anton Tanonov wrote a&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273],"tags":[],"class_list":["post-10742","post","type-post","status-publish","format-standard","hentry","category-publications-en","wpcat-273-id"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/posts\/10742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theremin.today\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10742"}],"version-history":[{"count":10,"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/posts\/10742\/revisions"}],"predecessor-version":[{"id":10752,"href":"https:\/\/theremin.today\/index.php?rest_route=\/wp\/v2\/posts\/10742\/revisions\/10752"}],"wp:attachment":[{"href":"https:\/\/theremin.today\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theremin.today\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theremin.today\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}